Tuesday, February 21, 2012

Book Review: Birthmarked (Birthmarked #1) by Caragh M. O'Brien

Birthmarked Cover
A post-apocalyptic YA futuristic novel

Birthmarked (Birthmarked #1) by Caragh M. O'Brien
Reading Level:
Young Adult
Release Date: March 30, 2010
Publisher: Roaring Brook Press
Pages: 368
Source: Amazon Vine
Reviewed By: Kate McMurry

Sixteen-year-old Gaia Stone has trained for years as an apprentice to her midwife mother. She lives in the post-apocalyptic world of 24th Century America. Her lifestyle is similar to that in agrarian villages of 18th Century Europe, but minus horses or wagons for transport. There is no need for them because there is no long-distance travel. Gaia's entire world consists of a small settlement outside a walled city. Inside the wall is a class-based society with each social rank identified by a distinct color of clothing. The society's rulers are called the Enclave, and the head of the Enclave is an iron-fisted dictator. In exchange for food, water and other basic necessities of life, the Enclave demands absolute obedience from the people outside the wall. Including the ultimate sacrifice of handing over a quota of their babies every month to the Enclave in a transaction euphemistically called "advancement." Gaia has accepted the Enclave and its commands as just the way things are, including knowing her parents "advanced" her two older brothers to the Enclave, until the day that the Enclave's soldiers come and take away her parents. Gaia is outraged that their deference to the Enclave has earned this horribly unjust punishment and is determined to get to the other side of the wall and save them, at any cost.

Gaia is a strong heroine who persists against incredible odds, which makes her very sympathetic. The world-building in the story is well done, and there are plenty of questions every step of the way in the book to keep the reader turning pages to find answers to the many mysteries of the Enclave. There are a lot of important messages in this story, without it being at all preachy, including the importance of family, the meaning of loyalty and courage, and the suffering that is inevitable in repressive societies where arrogant elites sure of their infallibility trample on the rights of individuals.

The book has a tender romantic subplot and the beginnings of fascinating future subplots about sibling relationships as babies taken from their families by the Enclave who are currently teenagers will, hopefully, begin to find each other and band together to take down the evil Enclave as the series progresses.

Speaking of which, I assume this will be, at the very least, a trilogy, because the ending of this book is wide open for a sequel. It leaves us with a huge new mystery: What lies beyond the boundaries of the known world of the villages and walled city in Birth Marked? The Enclave has worked very hard to convince everyone under their command that there is nothing else out there. But is that really true?

For parents: There are no teens engaging in sex or consuming drugs or alcohol in the story. There are multiple scenes of violence, but it isn't graphic. There is constant menace surrounding the heroine, and this is a very dark book throughout with no let-up in her pain, ever. But many teens enjoy that kind of read, and many adults do, too. It is no darker than Harry Potter.

Heroine: 4

Subcharacters: 4

Fantasy World-Building: 4

Writing: 4

Action-Adventure Plot: 4

Romantic Subplot: 4


Overall: 4


Saturday, February 18, 2012

Book Review: Claire de Lune (Claire de Lune #1) by Christine Johnson

Claire de Lune Cover
Werewolf fiction for preteens and young teen readers

Claire de Lune (Claire de Lune #1) by Christine Johnson
Reading Level:
Young Adult
Release Date: May 18, 2010
Publisher: Simon Pulse
Pages: 352
Source: Amazon Vine
Reviewed By: Kate McMurry

During Claire Benoit's sixteenth birthday party, a serial-killer werewolf is sighted in the woods behind her home in the small town of Hanover Falls. The leader of the hunt for the rogue werewolf is Dr. Engle, an important researcher from the "Federal Human Protection Agency" who lives in Hanover Falls. The existence of werewolves is commonly accepted in the U.S. and around the world and, in addition to the FHPA, which does research on werewolves and defends humans from them, "Lycanthropy Researchers International" exists to find a drug that can turn werewolves into humans. In spite of this acceptance, everyone is shocked by the murders because "werewolf attacks were the sort of thing that happened once in a while in Eastern Europe, maybe, or rural Japan, but in the United States they had become as rare as an outbreak of cowpox."

Dr. Engle's son Matthew, a handsome soccer star from Claire's high school whom she's crazy about, was about to ask her out when all her friends fled from Claire's party. But romantic frustration is soon the least of her problems when her mother reveals that the itching on Claire's hands and ears that's been driving her crazy for days marks the start of her transformation into a hereditary werewolf. The process lasts three months, beginning the first full moon after the sixteenth birthday. That night, in the woods behind her home, Claire is introduced to a small, all-female pack of five other werewolves besides herself and her mother. Claire is disoriented, afraid, and angry at her mother for lying to her all her life.

In order to fairly critique this book, I need to put it within the context of "urban fantasy," the genre it seems to aspire to. In these stories, a magical universe exists side-by-side with our recognizable, modern world, but its inhabitants purposely keep their real nature hidden to avoid constant conflict with frightened, angry humans. Those same humans consciously and unconsciously collude with the cover-up in this manner: When magical events impinge on humans, they either refuse to believe in the magic, or authority figures such as police, spy agencies, the military, and politicians employ propaganda and force to silence them.

In every genre of fiction, secrets and lies are a major sources of conflict, but they are particularly important in urban fantasy in these ways: 1) The protagonist carelessly, or because she has no other choice to protect others from harm, displays magic in front of humans and gets into trouble for it. 2) The protagonist is forced to deal with the fallout of magical villains carelessly or purposefully hurting humans with their magic. 3) The protagonist is either part of or connected to a species of magical creatures who have recently "come out of the closet" to humans, resulting in a struggle for their civil rights as citizens of the U.S.

This is how I see this book within those parameters: 1) The world-building is extremely circumscribed, consisting only of female werewolves with limited powers and no explanation of their origins other than that a "Goddess" created them. I assume this simplification is because the book is written for preteens or very young teens. 2) The element of secrecy exists in Claire's mother insisting that werewolves can never have close relationships with anyone, not even the members of their pack, for fear of exposure. On the other hand, the book does also state, in direct contradiction of this decree, that somehow the existence of werewolves has become universally and matter-of-factly accepted by humans. 3) Though Claire's mother and newscasts throughout the book proclaim that authorities are committing lots of resources to catching the rogue werewolf, the story never shows anyone other than the nerdy Dr. Engle actually doing anything to accomplish that. There are no police, no local hunters, no national guard, no private security patrolling the areas where the rogue werewolf has been sighted--including especially the woods behind Claire's house where she and her pack frequently go. We also never receive any descriptions of the methods Dr. Engle would of necessity need to employ in order to capture a werewolf, for example, a team of helpers in protective gear armed with dart guns, nets and a special containment vehicle with very thick bars so a wolf with super strength can't break out of it. Perhaps the author has left all this out because she assumes a young audience would not be interested. 4) Claire does have to contend with the fallout of one of her own kind committing murders that put her entire pack in danger of exposure to humans, but that fallout consists only of, as stated above, the nerdy Dr. Engle. Again, perhaps to keep the conflict from becoming to intense for young teens. 5) Claire does have to contend with the negative results of her werewolf state being unavoidably revealed to a human.

As stated above, it is possible that the author has chosen to write what might be termed, "urban fantasy lite," because she wanted to avoid the graphic violence and horror that is often a big part of adult urban fantasy. If so, she has succeeded. There is violence, but it is not shown at all except in a couple of places in very mild form. The romance is also G-rated and without passion, which is probably inevitable in a universe where there are no male werewolves who can exist as an emotional and physical equal to Claire's magical powers. I think it is also possible that the reason there is a shortage of romantic fire in Claire's relationship with Matthew is because, again, this book is aimed at younger teens.

For those who love werewolf stories, another excellent recent YA werewolf book I highly recommend is Raised by Wolves.

Heroine: 4

Subcharacters: 4

Fantasy World-Building: 3

Writing: 4

Action-Adventure Plot: 4

Romantic Subplot: 3


Overall: 3.5