Tuesday, May 26, 2015

Book Review: Jesse's Girl by Miranda Kenneally

Jesse's Girl Cover Young adult romantic comedy at its very best
Jesse's Girl (Hundred Oaks) by Miranda Kenneally

Reading Level: Young Adult
Release Date: July 7, 2015
Publisher: Sourcebooks Fire
Pages: 304 pages
Source: NetGalley
Reviewed By: Kate McMurry

Seventeen-year-old Maya’s passion is playing guitar and performing. When she started her band, The Fringe, it was an eighties tribute band, but over time the lead singer, Nate, took over control of the band, insisting they play only heavy metal, and ultimately engineering a mutiny to kick Maya out of her own band.

Then, while Maya is still depressed from her band’s betrayal, her principal insists that she shadow his nephew for career day, a young man who just happens to be the massively famous, gorgeous, country-music star, Jesse Scott. Maya hesitates at first because, though she was born and raised in Tennessee, where country music is king, she’s never liked it, much preferring her music hard and fast rather than slow and sad.

However, the more Maya considers the opportunity to meet Jesse, the more she comes to believe it would, as her principal declares, be a great opportunity for her. After all, Jesse won TV’s Wannabe Rocker when he was only ten, and at eighteen, he has already achieved three Grammy’s. He’s great on the guitar, and he has a stunningly beautiful voice. At the very least, she figures she might pick up some useful pointers from Jesse about the professional music business, so she ultimately decides to go along with her principal’s plan. Unfortunately, within her first minutes in Jesse’s presence in his huge mansion, the entire encounter seems doomed to failure. He’s even more depressed than Maya, and on top of that he’s opinionated and pushy. But as the day goes on, he begins to make suggestions about her music that ring powerfully true, and as they share confidences about their lives and their musical ambitious, it begins to seem that, even though their worlds—and music—are poles apart, it just might be possible that the two of them have something important to offer to each other than no one ever has.

There are so many things I love about this wonderful romance, which is romantic comedy at its very best. I am a huge fan of romantic comedy in general, and YA romantic comedy in particular. Unfortunately, it is so rare in the YA genre as to be almost non-existent, so for that reason alone I was ready to love this book. When I added on top of that fact that the book was written by the massively talented Miranda Kenneally (MK), whose every teen novel I have excessively relished, I knew that I was in for a treat with this book. I am delighted to report that not a single one of my greatly inflated expectations were disappointed.

Let me list some of the ways I reveled in this book:

First, and most important for a romantic comedy, the “meet cute” is fabulous. It's a highly visual scene, as is almost every scene in the book, and as a result, this story would make a wonderful teen movie. I adore it when romantic protagonists start out on the wrong foot and stumble along from there. I love it as well when the comedy comes from witty repartee, as it does in this novel, rather than relying on slapstick (which is a form of humiliation humor).

The ideal of all romance fiction is to believably present the protagonists as soul mates. Unfortunately, too few authors make their case for that ideal. Not this book. It totally succeeds in achieving that goal.

Maya is a wonderful heroine, strong, assertive, intelligent, talented, caring, but with enough human flaws to make her a rounded, very real person.

Jesse is a tremendous romantic hero. He has plenty of flaws, but they don’t make him unsympathetic, rather they humanize him, because he has many virtues. I really enjoyed him and his relationship with Maya. I greatly appreciated how they bring out the best in each other and help each other grow both as musicians and as caring human beings.

One of my favorite themes in a romance novel is when the romantic protagonists develop a wonderful friendship over time rather than forming a relationship that is 9 parts lust to 1 part affection and respect, as so often is the case in romance novels, not just for teens but adults as well. The friendship in this book is superb, but I have come to expect nothing less of MK. She excels at believable, deep friendships between her teen, romantic protagonists.

Maya’s family is wonderful, including her adorably protective older brother, Sam, whom we first met in Catching Jordan from 2011 (it is great to catch up with Sam and Jordan and see how their relationship has progressed over the years—in this novel, they have graduated college, are in sports-related jobs, and are in their twenties). It is such a rare treat for a YA heroine to have loving, involved, functional parents and caring siblings. Though I will admit that Jesse’s parents are the much more typical, YA, messed-up parents. However, I didn’t mind their melodramatic dysfunctionality since they never appear onstage.

As always in her Hundred Oaks series, MK creates authentic, fascinating Tennessee settings. In this book, we are allowed the treat of experiencing the local color not only of small town Tennessee, but of the famous city of Nashville, which is the “home of country music.”

I talked to a friend of mine, who played professionally as a lead guitarist in a rock band in his teens through his twenties much as Maya does, about the musical scenes in this book. He agreed with my own non-musician perceptions that the musical scenes are authentic and very well done. It was very exciting reading about Maya and Jesse’s shared skill and joy in performing.

It is great to read a YA novel that doesn’t read like a clichéd version of a 1980’s John Hughes’ movie—there are no “mean girl” cheerleaders, no bullying jocks, no drunken, debauched parties. However, this is not a G-rated book in that there is some sexuality in it, and thus many parents will not consider it appropriate for preteens and younger teens. However, the sensuality is not at all graphic, and it is tastefully and romantically done, without any of the harshness or crudeness that has found its way into so much of the so-called “edgy,” dark YA over the past decade.

In short, though I received a review copy of this book through NetGalley, which is a very rough, unpolished ARC version of the book, I love it so much, I’m going to buy my own published, polished Kindle version when it becomes available in July, 2015, because this book is a keeper—a wonderful love story that I will want to read again and again.

I rate this book as follows:

Heroine: 5

Romantic Interest: 5

Subcharacters: 5

Romance Plot: 5

Setting: 5

Comedy: 5

Writing: 5

Overall: 5

Wednesday, February 25, 2015

Book Review: The Reluctant Widow by Georgette Heyer

The Reluctant Widow Cover Review of the audiobook version of The Reluctant Widow narrated by Cornelius Garrett

The Reluctant Widow by Georgette Heyer

Reading Level: Adult Romance
Audible.com Release Date: April 7, 2009
Listening Length: 9 hours and 26 minutes
Publisher: Audible Studios
Pages: 373 pages
Source: Purchase
Reviewed By: Kate McMurry

I am posting this audiobook review using the format that Audible recommends:

Overall: 5 stars

Performance: 5 stars

Story: 5 stars

Q. If you were to make a film of this book, what would the synopsis be?

A. In England of the Regency period, Miss Elinor Rochdale, an attractive, twenty-six-year-old, orphaned gentlewoman, reluctantly arrives on the stage at the village of Billingshurst in Sussex for her first position as a governess since her father’s death left her in poverty. She is met by a carriage she wrongly assumes has been provided by her new employer, a married lady with a young son, when the driver asks if she has come in response to an advertisement. On arriving at a dilapidated mansion after a long drive through the night, she is introduced not to her employer, but to a distinguished gentleman in his mid-thirties named Lord Carlyon. Like the woman requiring a governess, he placed an advertisement in the paper, hence the confusion. However, he advertised not for a governess, but for a woman willing to wed his cousin, Eustace Cheviot. Elinor is appalled at the suggestion that she participate in a marriage in name only with Eustace, whom Carlyon freely admits is a drunken reprobate. His motivation for this excessively odd arrangement is that Lord Carlyon is Eustace’s primary heir and does not want to inherit from his cousin, whose loathing of Carlyon is fully reciprocated. Unfortunately, before Elinor can make her refusal immutably clear to him, Lord Carlyon’s 18-year-old brother Nicky precipitously arrives, exclaiming that he has accidentally stabbed Cousin Eustace, who now lies dying in an inn a few miles distant. Lord Carlyon increases the strength of his matter-of-fact persuasion of Elinor to marry his cousin to such an extent that she is carried away by the force of his personality and the utter confidence in milord expressed by every person in his vicinity. Within hours she is Eustace’s wife, and within hours after that, she becomes a reluctant widow.

Q. What does Cornelius Garrett bring to this story that you would not experience if you just read the book?

A. For a novel to work well as an audiobook, two factors are essential: (1) It must be exceptionally well written in order to thrive beneath the intense scrutiny of being read out loud at a fraction of the pace that a reader could read the book silently to herself. The Reluctant Widow passes that test with flying colors. (2) The narrator must be an excellent performer, able to convincingly portray every kind of character, from old to young, male or female, and different nationalities. Cornelius Garrett is one of the best narrators I’ve ever listened to, achieving all of these requirements magnificently. When I had previously read this book to myself silently, I thought it was mildly amusing but not one of Georgette Heyer’s funniest books. Mr. Garrett does such a fabulous job of acting out each of the characters, however, I was frequently laughing out loud due to the skill of his remarkable performance.

Q. What was one of the most memorable moments of The Reluctant Widow?

A. There are endless things to love about Georgette Heyer’s Regency comedies, but a particular brilliance of hers as an author are her quirky casts of subcharacters, each drawn with a wonderfully unique voice. In this particular book, my two favorite subcharacters are Nicky, Lord Carlyon’s youngest brother, and his gigantic, sweet-tempered, but poorly trained dog Bouncer. The two of them are absolutely hilarious, both separately and together. Heyer creates a great deal of comedy from lovable Bouncer’s well-meaning, guard-dog mistakes. The funniest scene with Bouncer for me is when he misunderstands Nicky’s command to keep Elinor safe by guarding her while Nicky runs an errand. Bouncer wrongly interprets Nicky’s order to mean that he must guard Elinor as if she is a dangerous individual whom he must not allow to escape. As a result, dear old Bouncer refuses to allow her to stir out of her chair for long, irritating hours until Nicky returns and calls him off. The many failed efforts of Elinor and the household staff to bribe Bouncer to let her go are hilarious.

Q. Which character--as performed by Cornelius Garrett--was your favorite?

A. It is hard to pick only one. Of particular note is Mr. Garrett’s performance of Nicky’s adorable, youthful enthusiasm, the country wisdom of the butler Barrow who has a thick Sussex accent, and the sweet, unworldly remarks of Elinor’s middle-aged, former governess and current companion, Miss Beccles (nicknamed Becky).

Q. Any additional comments?

A. I was delighted to discover this recording, which offers me the opportunity to enjoy one of my favorite books by one of my favorite authors in the form of an outstanding audiobook.

Overall: 5

Performance: 5

Story: 5